Showing posts with label Award Winners. Show all posts
Showing posts with label Award Winners. Show all posts

Monday, January 12, 2009

Required (Canadian) Reading

I just finished reading Joseph Boyden's 2008 Giller Prize winning novel, Through Black Spruce. I happen to think it's brilliant...and would be brilliant as a play (because I'm partial) or film (because, well, it would).

Boyden is an incredibly gifted writer/storyteller. His latest effort follows the younger generations of the Bird family; their story began in his first novel Three Day Road. Will, the son of Xavier from Three Day Road, lies in a coma in the hospital in Moosonee. Annie, his niece, sits by his bedside. Both recount, in their own way, the heartbreaking road that led them to this place...I won't say anymore, other than that I highly recommend picking Through Black Spruce up. And, while you're at it, start with Three Day Road. The first novel isn't crucial to understanding the story of the second, but it can't hurt. And they are both wonderful Canadian books.

Tuesday, January 6, 2009

Victory.


A great moment for Canada's other art last night. While less exciting than their games against the USA on New Year's Eve and Russia on Saturday night, Team Canada nonetheless brought home the gold for the fifth straight time in the World Juniors Hockey Championship. Roy MacGregor's account of the victory is here in The Globe and Mail--I love the nuanced ways in which our patriotism displays itself. An excellent beginning to 2009.

Photo credit: The Canadian Press via tsn.ca

Friday, December 12, 2008

"What do you do when you're not sure?"

Doubt, John Patrick Shanley's film adaptation of his play by the same name, opens in theatres today.
The play originally opened Off Broadway on November 23, 2004 at the Manhattan Theatre Club before transferring to Broadway in March 2005 at the Walter Kerr Theatre. It closed on July 2, 2006 following 525 performances with 25 previews. It then toured and has since been performed all over the world, including at London's Tricycle Theatre, well known for its agitprop and documentary style theatre (I once sat through an epically long production there that shall remain unnamed...because I can't remember the name). And, of course, what could follow all this but a movie? It is, after all, one of the most successful new plays in recent memory. In addition to its many productions internationally, it is the winner of a Drama Desk Award for Outstanding Play, a Tony for Best Play, and the Pulitzer Prize for Drama. To say nothing of the countless awards and nominations by those who have designed, directed, and performed it (including several Golden Globe noms for this film).

Philip Seymour Hoffman and Amy Adams

Set in a Catholic school in the Bronx in the autumn of 1964, a pivotal time in American history following the assassination of JFK and the "modernization" of the Catholic Church, Doubt centers on, well, doubt. A kindly, well-liked priest, Father Flynn (Philip Seymour Hoffman), who embraces the winds of change, is suspected of molesting the school's only African-American student. Sister Aloysius (the Meryl Streep), the school's principal, passes judgment swiftly but is powerless to do anything about the priest's behaviour in a world dominated by men. And Sister James (Amy Adams), the newcomer, like us, isn't quite sure what to believe. And the ensuing drama can be summed up in the words of Flynn, "What do you do when you're not sure?"

Meryl Streep

The Meryl and Mr. Hoffman are apparently brilliant (duh.) and I will be interested to see how Amy Adams fares. I think it's an interesting casting choice and not necessarily one I would've expected next to two powerhouses of the screen and stage. I hope she holds her own; the reviews don't really have a whole lot to say about it. And since I don't generally trust just to reviews, I have included links to three: The Star, The Globe and Mail, and The New York Times. One thing they all agree on is that the show-stealer in this one is Viola Davis in her cameo as Mrs. Miller, the mother of the student who Flynn may or may not have molested. They also seem to agree that it's worth seeing.

Viola Davis

The original play was performed as a one act; the cast felt that the second act was what happened beyond the theatre, what the audience took away and discussed. Good theatre requires participation. I have a feeling that good film does as well. I'll let you know when I've seen it and, please, share your thoughts on it here. But in case you lose something in the translation, or would just prefer the stage experience, don't worry: Doubt is coming to Toronto in play form in May. The Canadian Stage Company will be putting up their production May 4-30.

Pictures ©Miramax Pictures Inc.®
All Rights Reserved.

Wednesday, December 10, 2008

Celebrate Your Rights!

I have to begin this by saying that I literally cannot keep up with the theatre feed from The Guardian. They are by far the most prolific feed on my Google Reader. Perhaps this is because the UK has more theatre than anywhere else that my Google Reader feeds cover...Hmm, chew on that. Anyway...



British playwright Julian Armitstead's After the Accident will receive three staged readings today in the UK. The play, which is about a mother and father confronting a teenage joyrider responsible for the death of their daughter, is this year's winner of the Protect the Human prize awarded by Amnesty International and iceandfire theatre company. The readings are just part of nationwide events marking the 60th anniversary of the signing of the Universal Declaration of Human Rights. According to Amnesty, Armitstead's play embraces "dignity and worth of the person" and "duty to the community," both components of the Declaration.

The Protect The Human award began last year in an effort to create "imaginative and excellent theatre that illustrates human rights issues." This is what Natasha Tripney had to say about it all in her blog at The Guardian:
Amnesty is involved in projects across the arts, but theatre has always proved to be particularly adept at exploring human rights issues. Theatre awakens and connects in a way that simply reading a slew of harrowing statistics often doesn't...A good play can make the issues real, make them breathe, give them human heart and narrative. Theatre can get people fired up, can drive the desire to act in its audience, to change things both in their immediate world and more generally.

I couldn't have put it better myself...

Friday, November 28, 2008

Bad sex wins awards...

The simple fact that this award exists is sheer brilliance.

John Updike has won a lifetime achievement award for bad sex in fiction.

Britain's Bad Sex in Fiction award is handed out each year to honour (or not) the author of the year's worst sex scene in fiction.

Mr. Updike has never won the annual award, but this year the good people responsible for the award judged it only appropriate to give him the lifetime achievement nod for four years of consecutive nominations. He's like the Susan Lucci of bad sex.

The prize has been awarded annually since 1993 to "draw attention to the crude, tasteless, often perfunctory use of redundant passages of sexual description in the modern novel, and to discourage it."

The strictly erotic or pornographic is ineligible; this is an entirely literary pursuit.

Here are excerpts from some of this years nominees. The winner is Rachel Johnson's Shire Hell. She was awarded a plaster foot.
 

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